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The Uffizi Galleries will open Magnifico 1492 at Palazzo Pitti on Dec. 3, bringing together more than 100 works associated with Lorenzo de’ Medici. The exhibition is scheduled to include Paolo Uccello’s three Battle of San Romano panels, on loan from Florence, London and Paris, and will run through March 1, 2027.
The Uffizi Galleries will bring together more than 100 works associated with Lorenzo de’ Medici in a new exhibition at Florence’s Palazzo Pitti, including three panels of Paolo Uccello’s Battle of San Romano that are now held in Florence, London and Paris. Titled Magnifico 1492, the exhibition is scheduled to run from Dec. 3, 2026, through March 1, 2027, according to The Florentine.
The three panels will be shown together at the Treasury of the Grand Dukes. The works are divided among the Uffizi in Florence, London’s National Gallery and the Louvre in Paris. The report describes the display as a temporary reunion in Florence, where the panels were originally intended to be seen in the setting of the Medici family residence.
The exhibition is based on new scholarly and curatorial research into the Medici collection. Its organizing reference is an inventory drawn up in 1492, the year Lorenzo died, which records the family’s possessions. The Uffizi project aims to use that record to present not only individual objects but also their arrangement within rooms at Palazzo Medici Riccardi, the family’s Florence residence.
Paintings and sculpture will be shown alongside vases, gems, cameos, coins, manuscripts and maps, with loans from Italian and international institutions. Among the named objects are a gilded bronze Spiritello, attributed to a sculptor close to Donatello and loaned by New York’s Metropolitan Museum of Art, and an illuminated manuscript of Petrarch’s Triumphs from the Bibliothèque nationale de France. The report says Lorenzo commissioned the manuscript for his private use.
How the Medici Displayed Power
Magnifico 1492 is presented as a reconstruction of a collection, not simply a gathering of famous artworks. The surviving inventory gives curators a basis for examining how objects were assembled and placed in the Medici residence, and how collecting connected to the family’s political ambitions, intellectual interests and public standing.
The loans also make the exhibition relevant beyond Florence. The Battle of San Romano panels are held by three major institutions in different countries, so their joint display will give visitors a chance to view the work as a group rather than as separate museum holdings. The report identifies this as the first time the three panels will be displayed together; that claim concerns this planned exhibition and should not be read as a broader statement about every past display or historical arrangement.
The works may offer a more concrete way to understand Lorenzo’s cultural influence: through the objects he collected, commissioned and kept, as well as the network of institutions now responsible for preserving them. The exhibition’s reconstruction is guided by research, but visitors will encounter an interpretation of the collection rather than the original rooms and objects in their exact historical state.
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The 1492 Inventory and Lorenzo
Lorenzo de’ Medici lived from 1449 to 1492 and is remembered both as a political figure and as a patron of the arts. The Florentine report describes him as a central figure in Florence’s Renaissance cultural life, with a circle that included writers and thinkers such as Angelo Poliziano, Marsilio Ficino and Giovanni Pico della Mirandola, as well as artists including Botticelli and the young Michelangelo.
The year in the exhibition’s title marks Lorenzo’s death and the date of the inventory used as a starting point for the project. That document offers an unusually detailed account of the Medici family’s possessions. According to the report, curators will use it to explore how the collection reflected the family’s interests and its efforts to consolidate influence in Florence and beyond.
The exhibition is planned for the Treasury of the Grand Dukes at Palazzo Pitti, not Palazzo Medici Riccardi, where the collection was originally housed. Its stated approach is to help visitors understand that earlier setting through research into the inventory and the placement of objects. The report does not describe the methods or limits of that reconstruction in detail.
“The exhibition provides an opportunity to reconsider the collecting practices of the early Medici through previously unpublished research.”
— Simone Verde, director of the Uffizi Galleries, as quoted by The Florentine
Loans and Reconstruction Details
The exhibition dates, venue and named loans are reported, but the available announcement does not provide a complete lender list or confirm every work that will be included. It also does not give details about loan conditions, conservation arrangements or whether all planned objects are already in Florence. Those points could change as the opening approaches.
The report says the display will reconstruct the collection and its arrangement using the 1492 inventory and new research, but it does not explain how much of the original room layout can be reproduced or which parts remain uncertain to scholars. The basis for the report’s description of the panels’ joint display as a first is not further detailed. The exhibition’s eventual presentation will show how far the surviving evidence can support a room-by-room account.
Opening Dates and Visitor Access
Magnifico 1492 is scheduled to open at the Treasury of the Grand Dukes on Dec. 3, 2026, and close on March 1, 2027. The Florentine reports visiting hours as Tuesday through Sunday, 8:15 a.m. to 6:30 p.m., with last admission at 5:30 p.m. It does not specify ticket prices or whether advance reservations will be required.
Before the opening, further information may clarify the final checklist of works, loan arrangements and visitor policies. The exhibition will then give audiences an opportunity to see the reunited panels and the wider group of objects in the Palazzo Pitti setting, while presenting the curators’ research into the Medici collection and the 1492 inventory.
Key Questions
When will Magnifico 1492 be open?
The exhibition is scheduled to run from Dec. 3, 2026, to March 1, 2027, at the Treasury of the Grand Dukes in Palazzo Pitti, Florence.
What is the Battle of San Romano reunion?
The exhibition plans to display together Paolo Uccello’s three panels, now held by the Uffizi in Florence, the National Gallery in London and the Louvre in Paris. The Florentine report describes this as their first joint display.
What other objects are expected in the exhibition?
The reported scope includes paintings, sculpture, vases, gems, cameos, coins, manuscripts and maps. Named loans include a gilded bronze Spiritello from New York’s Metropolitan Museum of Art and an illuminated Petrarch manuscript from the Bibliothèque nationale de France.
Why is 1492 central to the exhibition?
1492 was the year Lorenzo de’ Medici died and the date of the Medici family inventory that serves as a key source for the exhibition’s reconstruction of the collection.
What remains unconfirmed?
The announcement does not list every work or lender, detail loan and conservation arrangements, or say whether advance booking will be required. It also does not explain in detail how the original arrangement of objects will be recreated.
Source: theflorentine.net
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